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Consider this for the first major show in the main theater – four of the world’s best electric bassists (Marcus Miller, Christian McBride, Derrick Hodge, and Don Was) engaged in three cutting sessions akin to what one might find from horn players on NYC’s 52nd street in the early fifties.
Georgie Atkinson sat down (unsurprisingly) over a coffee with the Bould brothers to discuss their musical influences and their passion for Simply Red.
Trumpeter Chris Botti talks about his month-long residency in December at the Blue Note NYC, as well as about a new cruise he’s hosting in 2024, Botti at Sea.
Concert highlights for Oct. 6-12 include Lizzo, Chris Stapleton, Joe Satriani and the Head and the Heart
John Splithoff’s debut full-length album, All In, proves he’s one cool and sexy MFer. The results show that he’s both suave and smooth. The singer creates a vibe of mature love that selflessly expresses longing. This is urban fire for the 21st century. He understands passions that smolder are hotter than open flames. That’s true even when Splithoff sings about love for oneself or for that of a friend. Emotion is a pot that should be best kept hot (to be cool), and one should never let it boil over. Splithoff wrote and recorded the 11 songs on