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Thirty years on, experiencing the Breeders’ Last Splash in its entirety is pure joy. There’s Kim Deal’s raspy, off-kilter yet on-target phrasing and warm rhythm guitar, as well as her frequent check-ins to make sure everyone’s feeling fine and having fun; sister Kelley’s bouncy riffage and good-natured teasing; drummer Jim MacPherson’s inventive percussion and bubble machine; and Josephine Wiggs’ reserved cool and pulse-quickening bass. And when MacPherson and Wiggs swapped instruments for “Roi” with the addition of the bubble machine, the glee went up a few notches and felt like it’d never come down. ....
Thirty years on, experiencing the Breeders’ Last Splash in its entirety is pure joy. There’s Kim Deal’s raspy, off-kilter yet on-target phrasing and warm rhythm guitar, as well as her frequent check-ins to make sure everyone’s feeling fine and having fun; sister Kelley’s bouncy riffage and good-natured teasing; drummer Jim MacPherson’s inventive percussion and bubble machine; and Josephine Wiggs’ reserved cool and pulse-quickening bass. And when MacPherson and Wiggs swapped instruments for “Roi” with the addition of the bubble machine, the glee went up a few notches and felt like it’d never come down. ....
The Breeders + Screaming Females - House of Blues (Boston) - 24Sep23 bigtakeover.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bigtakeover.com Daily Mail and Mail on Sunday newspapers.
Casually referred to as "Ohiopalooza," the six-hour VetsAid benefit on Sunday showcased a who s-who of Ohio rock, led by guitarist-singer Joe Walsh. ....
The 100 Greatest Alternative Singles of the ’90s: 60 – 41 The third part of our examination of the 100 Greatest Alternative Singles of the ’90s, including Sonic Youth, Primal Scream, Garbage, Pixies and more. 60. Mercury Rev – “Holes” (1998) From Mercury Rev’s classic fourth album Deserter’s Songs, “Holes” is a swirling melancholy dream, a Grimm’s fairy tale with pain and darkness coursing just under the surface of an elegant and ornate reverie of beauty and wonder. The whimsical nature of the song is partly inspired by vocalist Jonathan Donahue rediscovering recordings of fairy tales spoken over classical music accompaniment that had enthralled him as a child. ....