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Work in Progress: Holly Hendry—"The spontaneity and chaos of the moment"

Work in Progress: Holly Hendry—"The spontaneity and chaos of the moment"
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Discover the best of Singapore Design Week 2023

Singapore Design Week 2023 kicked off with a conversation about the future of the island nation in light of a changing climate and an ageing population. Headquartered in the National Design Center, th

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Singapore Design Week Ignites Bras.Basah Bugis, Orchard And Marina Bay With Impactful Installations And Immersive Experiences

Get set for a jam-packed 11-day festival that includes the first ever Friday Late district activation.

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Singapore Design Week 2023 will explore how design can improve lives

Innovative, inclusive and sustainable design solutions will be celebrated at this year's Singapore Design Week when it opens later this month.

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"A More Boxier Feel": Aspect Ratio, Architecture, and Ecology in A Cure for Wellness (2016)

"A More Boxier Feel": Aspect Ratio, Architecture, and Ecology in A Cure for Wellness (2016)
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"A More Boxier Feel": Aspect Ratio, Architecture, and Ecology in A Cure for Wellness (2016)

Figure 5 –
Nature in a Box:
A Cure for Wellness, and 1.66:1
This brings us back to Bozelli’s comments with which this article began. The digital reconstruction of an aspect ratio that emerged in the 1950s, but has been used sparingly since, demands consideration of its particular qualities and features. In the 1950s, the coming of Cinerama and CinemaScope led Paramount to develop VistaVision and the 1.66:1 ratio, which was initially marketed as a taller and “more comfortable viewing experience.”
[21] Supposedly, it allowed filmmakers to compose images with a greater deal of control and resulted in fewer distractions for the audience than did the comparatively extreme width of CinemaScope. Bazin, for instance, although describing the 1.85:1 version of VistaVision, considered it “spectacular enough to satisfy the eye, yet still rational enough to satisfy the mind.”

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