Hitching them together does neither any favours: Hilma af Klint & Piet Mondrian, at Tate Modern, reviewed
In July 1928, an unknown Swedish woman artist mounted a solo show of her revolutionary abstract paintings at the World Conference on Spiritual Science in London. It was a moment the 65-year-old Hilma af Klint had waited a long time for, but her confident prediction 20 years earlier that ‘the experiments I have undertaken will
Source: spectator.co.uk