Chelfitsch challenges Japanese theater's language barriers
The theater company questions the status quo of the Japanese stage by casting non-native speakers in new project, 'The Window of Spaceship 'In-Between.''
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The theater company questions the status quo of the Japanese stage by casting non-native speakers in new project, 'The Window of Spaceship 'In-Between.''
The lineup for the international performing arts festival features 11 works from countries such as Brazil, Australia, Thailand and Hong Kong.
As the arts festival searches out sustainable solutions for funding, the keyword for the 2022 edition, 'new teku teku,' urges people to consider different forms of walking and movement.
The Fisher Center at Bard will present a bold, gender-reframed, era-transcending vision of Molière’s 1665 tragicomedy Dom Juan, conceived and directed by Ashley Tata, with a new translation from NYU Professor of French Literature and theater scholar Sylvaine Guyot and Fisher Center Artistic Director Gideon Lester.
The experimental festival, held at various locations around Kyoto, explores the power of speech in the performing arts.