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On a night at the Opera, the performance is of course the main focus. However, the interval can also serve up artistry of the highest order. The foyer ....
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“The bathroom is as ripe for existential crises as it is for creativity. Enter Edvard Munch, the Norwegian ‘father of Expressionism,’ best known for The Scream. Munch’s bathroom is no hyggelig encounter between lovers, but the scene of French revolutionary Jean-Paul Marat’s murder at the hands of Charlotte Corday. And it channels violent events in Munch’s own personal life. It’s not the jolliest bathroom, then. But the use of marble adds a grandness and cleanliness to the scene. The terracotta tiling feels very European, and the curved doorway softens the austere scene. Munch painted Marat’s death bath twice, and this one is distinctly less bloody than his first attempt.” ....