"Passages" and "Lady Killer," Reviewed
Ira Sachs’s relentlessly pessimistic film may look like a love triangle, but its shape keeps shifting right up to the bitter end.
Source: newyorker.com
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Ira Sachs’s relentlessly pessimistic film may look like a love triangle, but its shape keeps shifting right up to the bitter end.
As Jean Renoir’s piercing satire La Règle du jeu arrives on Blu-ray, we celebrate the golden age of French cinema between the coming of sound and the outbreak of World War II.