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“Grounded in a thorough mastery of scholarly literature on eighteenth-century French theatre, McMahan’s study ingeniously interprets Luigi Riccoboni and his troupe as theatrical migrants who used comedy as a means of cultural diplomacy. . . McMahan’s innovative approach to 
commedia dell’arte as a “transnational brand” offers a robust contribution to Theatre and Performance Studies scholarship.” (—Daniel Smith, Michigan State University, USA)
 
“In bringing to the attention of an Anglophone audience a neglected theatrical figure, McMahan performs his own act of translational border crossing, which is revealing not just about its subject, but also about the value of critical work that itself moves fruitfully across all sorts of national, disciplinary, and temporal borders.” (—Jessica Goodman, St. Catherine’s College, Oxford, UK) ....

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