Remembrances of Queer Auteurs Past
Helen Shaw reviews “Bark of Millions,” at the Brooklyn Academy of Music; Cole Escola’s “Oh, Mary!,” at the Lucille Lortel; and “Aristotle Thinks Again,” at La Mama.
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Helen Shaw reviews “Bark of Millions,” at the Brooklyn Academy of Music; Cole Escola’s “Oh, Mary!,” at the Lucille Lortel; and “Aristotle Thinks Again,” at La Mama.
‘Bark of Millions’ and ‘The Following Evening’: A maximalist performance and a quiet, inward-looking play—both, somehow, about creative legacy and earthly (or human?) mystery.
If Taylor Mac and Matt Ray’s four-hour rock opera were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.
Mac and composer Matt Ray team up for a genre-defying event.
The facial features in Cindy Shermans hyperenergetic new photo-portraits slide around crazily. Eyes spin out in different directions, competing