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Women In Animation Unveils Program For 5th World Summit At Annecy


Women In Animation Unveils Program For 5th World Summit At Annecy
For the fifth year running, Women in Animation (WIA) will hold a symposium in conjunction with Annecy Festival and the MIFA market. The theme this year: “The Business Case for Diversity.”
While the festival goes hybrid, the Women in Animation World Summit, which is held in partnership with South African studio Triggerfish, will be entirely virtual. Festival passholders and WIA members will be able to view the event from Monday, June 14 at 12:00 a.m. PST/9:00 a.m. CET through Saturday, June 19. From June 20, it will be open to the general public via WIA’s website and Youtube channel.

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South African Animators Colour Outside of the Lines in New Documentary


okayafrica
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South African Animators Colour Outside of the Lines in New Documentary
Watch the new 25-minute documentary 'Also For Grownups: Emerging Voices In South African Animation' which is now available on Showmax.
A new 25-minute documentary titled
Also For Grownups: Emerging Voices In South African Animation is now available on
Showmax and explores South Africa's explosive animation scene back in 2019 as a result of Netflix's first animated Original from Africa, Triggerfish's series
Mama K's Team 4. Created by Zambian writer
Malenga Mulendema, the series follows four teenage girls living in the neo-futuristic African city of Lusaka, Zambia, where they get recruited by a retired secret agent who strives to save the world.

Lusaka , Zambia , South-africa , South-african , Zambian , Malenga-mulendema , Sthembiso-mpehle , Pete-odonoghue , Peter-ramsey , Netflix , Mamak-team , Also-for-grownups

Move over, Superman - New platforms are bringing African comics to a broader audience | Middle East & Africa


OR ZIKI NELSON it began with
TV cartoons: “X-Men” and “Spider-Man”. These led to “Archie” and “Asterix” comics, then Japanese anime and manga. But as he devoured animated work from elsewhere, something was missing. “We had this African heritage and no one was telling stories about where we’re from.”
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That is changing. New platforms are bringing African animators to a global audience. One is Kugali, co-founded in 2017 by Mr Nelson with a fellow Nigerian, Tolu Foyeh, and Hamid Ibrahim, a Ugandan. It sells comics from across the continent and creates its own animations. In December Kugali announced a landmark deal with Disney to make “

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