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Alex Margo Arden’s paintings at Art-o-rama raise questions about the responsibility of artists when depicting tragic real-life events
After a Year of Online Programming, What Worked? Frieze editors discuss the different trends in digital exhibition-making, from end-of-world scenarios to community-based initiatives Terence Trouillot In February, an exhibition titled ‘Goodbye, World’, curated by Andreas Templin and Raimar Stange, was installed on an ice floe near the Arctic Circle in Swedish Lapland. Centred on environmental disaster, the show – featuring works by Jonathan Monk, Olaf Nicolai and Martha Rosler, among others – made me think of how COVID-19 has prompted a focus in the arts on the catac...