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As a devout student of José Esteban Muñoz’s conceptions of queer cultural and political (re)imagination, I am often thinking about futurity—and queer futurity in particular—in the ways I structure my own life but also in the art I most like to seek out and burrow into.
“The selection committee was invigorated by the depth and originality of the applications,” said Patricia Pin, residency lead and public programs director at The Mount, as she pointed out the scope of this year’s residents, which includes a disability advocate, a Stanford lecturer, and a Signet Society poet.
Once bitterly competitive, the literary world is now bursting with connection and collaboration. But why are authors turning to one another, and how is it changing the writing life?
So much has happened in the six months since our last issue, though I could say this about every TriQuarterly issue I’ve been a part of.