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Amid the constant air raid sirens and shelling near her home in Kyiv, 17-year-old Polina...

Simon walker is chief executive at marquee tv. and, simon, for listeners who don't know, what exactly is marquee tv? thank you, katie, good to be here. marquee tv is netflix for the performing arts — but, as i think we'll discuss, that shorthand doesn't work any more when netflix has eaten the world. so i like to think of us as the ultimate arts companion in this niche of lovers of performing arts and culture. thanks, we'll talk about that later. julia alexander, you are a senior strategy analyst at parrot analytics, welcome. and i believe you also co—host the podcast downstream — what s...

Is princess leia, and i can't work it out. well, i'm about to pitch myself... as princess leia ? ..to new streamers as the return of the jedi. there's going to be a third phase, is my view, and our view at marquee tv — basically the media's polarised, you'll have these big buckets of content for $10 a month, and whether you choose to get it from disney or netflix, or amazon, or peacock, or whoever — that general entertainment brand that sort of replicates the core of your cable — the middle ground is really challenged, and that's why we have this big debate in the country about channel 4...

Time for the media show. hello. last week's attack in liverpool leads our conversation today. how do you report responsibly on an incident like that? when is the right moment to use the word "terrorism"? and is the doorstep morally wrong? also on the media show — a new streaming service launched on sky this week. can the traditional tv stations claw back an audience from netflix and disney? let's start by introducing today's guests. simon walker is chief executive at marquee tv. and, simon, for listeners who don't know, what exactly is marquee tv? thank you, katie, good to be here. marquee t...

Simon walker, you're in europe, in the uk. you're the chief executive of marquee tv. i guess you're at the high—culture end, you know, broadcasting the likes of opera and ballet — how do you fit into the market alongside the giants? thanks, katie. if you indulge me with some historical perspective, i'm old enough that i've seen the beginning and middle of the streaming wars — i was the bbc�*s first head of on—demand in 1997, would you believe, when there really wasn't any on—demand. at that point in time, netflix had just launched and did ten more years... i remember doing a piece ...