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These numbers should be alarming to everyone, as they were to orchestrator, copyist, and music director Macy Schmidt, who worked on the music team for TINA: The Tina Turner Musical, and is the music supervisor for the stage adaptation of Chelsea Clintonâs She Persisted at Atlantic Theatre Company. Like many artists, the events of spring and summer 2020âspecifically the theatre shutdown and the industryâs racial reckoningâmobilized Schmidt to take action. All too-familiar with the inequities women of color face in the industry, Schmidt focused on drawing attention to the marginalization of women, specifically women who identify as Black, Indigenous, Latina, or Asian American-Pacific Islander in the music department space. Her first call was to her friend and mentee, Leah Vicencio. ....
You ve said on social media that Disney s Wishes fireworks display piqued your interest in orchestrations. When did you start to explore this interest and eventually pursue it professionally? I didn t grow up taking piano lessons from age 5, like so many of my colleagues did. I taught myself to play piano halfway through high school and became very obsessive about practicing it and becoming a good sight reader. I only am now, as an adult, fully understanding how influential this show has been. It all started after my freshman year of college. I didn t know what I was meant to do in New York or Broadway, but I would get an internship in New York and figure it out. That was a hard summer because most internships aren t paid, so I worked multiple side jobs to be here that summer. I was working an internship at Feinstein s/54 Below and I met different music directors every week and some orchestrators who generously took me under their wing. ....