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It has been more than a week since the Hong Kong Palace Museum (HKPM) opened to the public and tickets for this new West Kowloon Cultural District landmark, which can accommodate roughly 7,000 people a day, are still selling out. In addition to a high-speed rail line connecting Shenzhen, Guangzhou and Hong Kong and the 55-kilometer long Hong Kong-Zhuhai-Macau Bridge, the construction of HKPM is one of the most important decisions made since Hong Kong's return to the motherland in 1997. For cultural experts, the popular museum not only brings greater influence that spans out to the Greater Bay ...

Nine galleries showcase national treasures from the collection of Beijing's Palace Museum and Hong Kong artists' contemporary take on the artifacts.

At three o'clock in the morning on December 21, 2011, the poet, writer, and painter Mu Xin passed away at the age of eighty-four in his hometown of Wuzhen. In this essay, two filmmakers from New York attempt to reconstruct the six days they spent interviewing the artist, as well as the circumstances that led to this meeting.Mu Xin, whom we had the good fortune of meeting and

How should one assess the best ways to survive in a revolution? What exactly is the tipping point between obedience and outright sycophancy? When does one try to hold on to the values that gave meaning to one’s upbringing, and when is it best to just let it all go? When does moral commitment trump personal survival?Such questions do not always have self-evident answers, and

Mi Fu, scholar, poet, calligrapher, and painter who was a dominant figure in Chinese art. Of his extensive writings—poetry, essays on the history of aesthetics, and criticism of painting—a considerable amount survives. Mi was born of a family that had held high office in the early years of the Song