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You may know Cecilia Suarez, 50, as Paulina de La Mora, the riveting lead in Manolo Caro's Mexican dark dramedy “La Casa de Las Flores” [“The House of Flowers”], co-produced by Netflix. The actress stole countless scenes playing Paulina, the eldest of the dysfunctional upper-class clan and the manager of her father's struggling cabaret full of drag queens, strippers and "dark rooms." All to buy back the family-run business — a posh floristry shop — to maintain their high social status among the Mexican elite and save her relationship with transgender ex-partner ...

My mother was barely a teenager when Gaitan was assassinated on April 9, 1948. His death generated a wave of political violence throughout the country.

In a documentary short from "The New Yorker,“ two women in rural Alabama use kindness and persistence to get their neighbors vaccinated.

Listen • 6:27 Some of the world's largest vaccine-makers hope to bolster public confidence in a yet-to-arrive COVID-19 vaccine, pledging to follow strict safety protocols in the rush to respond to the pandemic. Here, a nurse practitioner administers a dose of flu vaccine in Key Biscayne, Fla. Fleming Lopez, 46, says he opened Mi Pequeña Centro-American Restaurant and Supermarket in Panama City about a year before the first coronavirus cases were reported in the U.S. “Things were very bad,” he said. Business fell by about 60% and some employees were let go, Lopez sai...

The all-male ballet troupe shatters gender stereotypes with premiere of "Breaking Ground" Rachel Howard December 17, 2020Updated: December 19, 2020, 12:42 am Evan Ambrose and Duane Gosa rehearse a pas de deux from “Swan Lake,” part of Ballet22’s inaugural streaming performances. Photo: Ballet22 Over the summer, as the isolation of the pandemic wore on, Roberto Vega Ortiz posted a video of himself dancing in satin pointe shoes on Instagram, with the hashtag #maleballerinas. Soon, men from around the world were posting videos with the same hashtag, sharing footage of themselv...