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a href= http://www.DavidRichardGallery.com target= _blank David Richard Gallery /a is pleased to present Optical, Shaped and Color Abstractions: P
A RECURRENT SCENE IN SCI-FI movies shows the earth withdrawing from the spacecraft until it becomes a horizon, a beachball, a grapefruit, a golf ball, a star. With the changes in scale, responses slide from the particular to the general. The individual is replaced by the race and we are a pushover for the race—a mortal biped, or a tangle of them spread out below like a rug. From a certain height people are generally good. Vertical distance encourages this generosity. Horizontality doesn’t seem to have the same moral virtue. Far away figures may be approaching and we anticipate the insecuri...
Our annual list recognizing area developers’ technical, managerial, social and broader excellence returns. Do you know these star technologists?
DURING THE FIRST DECADE of Artforum, two comments appeared in its pages that have long troubled me. They occur in well-known interviews, the first with Tony Smith, published in December 1966, the second with Eva Hesse, published in May 1970, and in each case the artist associates Minimalism with Nazism. Although no explanations are given, the connections are not meant as condemnations—on the contrary. So what relationships are intimated?1“Talking with Tony Smith” was occasioned by two shows curated by Samuel Wagstaff Jr., who “culled” the six-page interview “from a summer and fall...