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Submitting. Puncture The Screen will celebrate the work of artists new to digital creation in theatre and performance. Blurring the lines between theatre, film, music, visual and audio art, creative coding, and video games, the works commissioned offers an unusual and unique experience. The digital sphere has created a new way for artists to continue to make, grow and expand their practice beyond venue walls, however the connection between audience and performer remains harder to obtain online. Chronic Insanity seek to navigate this by utilising audience data to produce a uniquely customised performance. Displacement Native is one of the shows featured in Puncture The Screen (Photo by Nick Rutter) ....
Noel Gardner , April 20th, 2021 09:12 From a read along sci-fi Italo/prog epic to rebooted darkside rave and juke via earthy Cornish analogue electronics, Noel Gardner is back once again with more tantalising sounds from the UK sonic fringes Yazzus I should probably draw up some sort of officially worded disclaimer for each intro to these columns, a kind of inverted pledge of allegiance, but to reaffirm: while it is fun and nice to write, every other month, about a pile of music whose ‘Britishness’ is its main common factor, I would erase every word of it from existence if that could somehow be a tradeoff for ‘Britain’ also ceasing to exist, conceptually. Shit, they can take me full stop if necessary. ....
Armour sounds so specifically Northern - what is it about Preston and Salford, about Lancashire, that inspires the music you make? Blackhaine: The Lancashire I know is a lost place, trapped between hills and moors. That feeling drives me when I make music, being pressured between nothingness. There’s less sunlight and more rain in Preston, Salford - non of these areas are gentrified yet so it’s a lot more real here for sure. The record was made over quarantine, how did that shift in living inform Armour? Blackhaine: Creatively I don’t think anything changed, I’m used to working on concepts in isolation. In terms of the lockdown it gave me time without distractions to get deeper into my process and research ideas more. Practically this record was created over the internet. Rainy Miller and myself have known each other for around ten years, we’ve always talked about working together but never really had the chance. When lockdown began I sent Rainy ....