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Led by the great Noomi Rapace and Jonathan Banks, this psychological sci-fi thriller gets as much right as it gets wrong.

It’s been two weeks since the first season of House of the Dragon concluded, and the question that has been on my mind is this: What is the point of a prequel? I guess it depends on who you ask. While a writer’s motivation to work on prequel material probably stems from the thrill of revisiting an existing fictional

Better Call Saul finished its six-season run earlier this year, making its mark as one of the few TV prequel shows to be considered as good as (or better

While “Better Call Saul” may share an Old Testament-influenced examination of morality and reckoning with its predecessor “Breaking Bad,” as the former’s series finale “Saul Gone,” suggests, just because Jimmy has molded himself into Saul doesn’t mean he has lost the capacity to catch up with who he could be.

After Kim’s bombshell announcement and some trickery with the timeline, Walt and Jesse now seem tantalisingly close