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The awarding of the 2012 Nobel Prize in Literature to the Chinese novelist Mo Yan has given rise to energetic debate, both within China’s borders and beyond. Earlier this month, ChinaFile ran an essay by Chinese literature scholar Charles Laughlin called “What Mo Yan’s Detractors Get Wrong.” That essay was, in large part, a critical response to an earlier piece in The New York
Three significant entries on China's fiction lists early in the lunar new year are buoyed by film and television.
The Nobel Prize winner talks with DW about his decision to leave Zanzibar, to write in English, and about the rise of African writers in the post-colonial era.