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A towering release from Bristol maximalist Matt Loveridge, finds Noel Gardner
Omniphonics is how Matt Loveridge refers to his releases as MXLX, which are only a fraction of his total releases but, indeed, the most omniphonious. What does it mean, though? Every type of music – or, at least, a remarkable breadth – condensed into one, relatively compact block of sound. Maximalism would be a slightly more recognisable term, I suppose. Even by Loveridge’s standards, the latest MXLX album is implausibly maximalist: layers upon layers of human/digital pop/metal defiance and gloom. He’s cited past releases as using up to 80 audio tracks at times, and it wouldn’t surprise me if ....

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