How Russian ballerinas taught Europe to dance
In the first half of the 20th century the words “ballet” and “Russian” were nearly synonymous. Thanks to the international success
Source: shanghainews.net
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How Russian ballerinas taught Europe to dance
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Clement Crisp, ballet critic whose witty, trenchant reviews won him an international reputation – obituary
'My prejudices are against pretension, messages, the week’s good cause, flat feet, unstretched bodies, and dancers with no necks'
Source: telegraph.co.uk
The unexpurgated Clement Crisp - in memoriam
To the international world of ballet, Clement Crisp was the British critic to fear for half a century. Crisp's dance reviews for the Financial Times - "the pink 'un" - from 1970 until 2020 were legendary for their passionate fastidiousness about ballerinas and high style, their acuity about rising talents and the difficulties of creativity, and - often - their ferocity, when he saw something he thought a blight.
Source: theartsdesk.com
Violetta Elvin, ballerina who was seen as a rival to Margot Fonteyn when she joined Sadler's Wells – obituary
Beginning at the Bolshoi Ballet, she went on to be wildly popular in London but was kept in Margot Fonteyn’s shadow by Ninette de Valois
Source: telegraph.co.uk