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There are five exhibitions running at the non-mainstream repository of art over at the interface of several of the capital’s ethnically, religiously, and culturally diverse sectors.
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Here are the shows I loved and learned from most this year.
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Highlights include “Capturing Louis Sullivan: What Richard Nickel Saw” at the Driehaus Museum and “Citing Black Geographies” at Gray Chicago.
Guy Bar Amotz has adapted Karel Capek’s 1920 play R.U.R, a science fiction classic, for his exhibition The Revolting Robots Show.