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LINKTV Al Jazeera World News February 6, 2013

And by and the annual Financial Support of hello, im john lithgow. Welcome to american cinema. During the golden age of hollywood, the film studios became incredibly powerful. They controlled production, distribution and exhibitio the mass pduction system that made ford motors a success worked for the lm studios as well. A very Efficient Assembly line was built that enabled a studio to release a film a week. Adventures, comedies, romances, westerns, gangsters, musicals. Ford was famous for one model; thstudios had many. But the genius of the system was although they were factories,s. Individual artists were still able to pursue their vision and create some of the best pictures ever made. Take paramountictures, for example. It was home to billy wder, josef von sternberg, and ernest lubitsch, great artists who left their individual stamp on the films they made. The param ....

New York , United States , Columbia University , Sarah Bernhardt , Thomas Schatz , Jesse Lasky , Gary Cooper , Carole Lombard , Catherine Turney , Louie B Mayer , Fritz Lang , Herbert Marshall , Marlene Dietrich , Francis Coppola , Nicholas Schenck , Robert Parrish , Meta Wilde , Richard Brandt , Nma Desmond , Barney Balaban , Richard Arlen , Preston Sturges , Cecil B Demille , Louie B Mayers , Harry Cohn , Bob Evans ,

Duke Riley – interview: 'As an artist, you're trying to push boundaries and push further into the unknown'

Duke Riley likes his art to provoke, even if it gets him arrested. He talks about training pigeons to smuggle cigars from Cuba, whether or not he was involved in putting bedbugs in a Trump hotel, and his exhibition at Brooklyn Museum, in which he turns plastic waste into maritime art and spotlights its devastating effect on our ecosystems ....

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history of film - The silent years, 1910–27

Multiple-reel films had appeared in the United States as early as 1907, when Adolph Zukor distributed Pathé’s three-reel Passion Play, but when Vitagraph produced the five-reel The Life of Moses in 1909, the MPPC forced it to be released in serial fashion at the rate of one reel a week. The multiple-reel film which came to be called a “feature,” in the vaudevillian sense of a headline attraction achieved general acceptance with the smashing success of the three-and-one-half-reel Les Amours de la reine Élisabeth (Queen Elizabeth, 1912), which starred Sarah Bernhardt and was imported by Zukor (who founded the independent Famous Players ....

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