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Directed by William Brent Bell. Starring Rupert Friend, Madeleine Brewer, Brian Cox, Violet McGraw, Troy James, Simon Quarterman, and Mamie Gummer. SYNOPSIS: In a verbally explosive argument during 2019’s Marriage Story that has been memed to death, Adam Driver lost all cool and told his wife, played by Scarlett Johansson, that he wished she would get hit by a car. Cue William Brent Bell’s Separation (the director has been a regular on the horror scene as of late with his The Boy series and infamous stinker The Devil Inside, which told viewers to go to a website for the ending) where ...

Better when it's not trying to scare you. TWITTER 4/30/2021 Rupert Friend, Brian Cox, Madeline Brewer and Mamie Gummer star in William Brent Bell's horror film about a little girl whose demonic puppets seem to come to life. A muddled execution undercuts laudable ambitions in the latest effort from director William Brent Bell, who previously demonstrated his talent for turning low-budget horror films into major commercial hits with such movies as The Devil Inside and Separation, which attempts to inject scares into a Kramer vs. Kramer-inspired scenario. But the film squanders its intriguing...

Photo: Open Road Every divorce drama plays a little like a horror movie. The bloodshed may be chiefly emotional, but it’s still plenty blood curdling—at least for those less chilled by the roar of a chainsaw than the thought of a whole life you’ve built with another person slowly unraveling. Separation, which arrives in gradually reopening theaters this weekend, puts a literally supernatural spin on the horror of a shattered union and an ugly custody battle. That’s not a terrible idea in theory. But this bargain-basement thriller approaches both its jack-in-the-box scares and its dom...

Four Good Days About Endlessness ** Over the course of 20 years, Swedish filmmaker Roy Andersson has remained committed to his stylistic gimmick—master-shot tableaux of simple situations, often building to absurdist punch lines—to the point where it’s not clear what more he might have to say within this framework. Once again, his episodic scenes aren’t really connected to any overarching narrative, though a couple of characters—including a minister despairing over his loss of faith—do recur at various points. Mostly, however, we have moments in the lives of everyday people, he...