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2021 is over and it's time to get spooky! 411's Joseph Lee takes a look at his picks for the best horror films of last year!

Violet McGraw and Rupert Friend star in a scene from the movie "Separation." The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (CNS photo/Blair Todd, Open Road Films) Help us expand our reach! Please share this article NEW YORK (CNS) -- While certainly deserving of a place in the annals of schlock horror, "Separation" (Open Road) fails to secure entree into the pantheon of the genre. Working ...

Adults behaving badly casts specter on child in ‘Separation’ Violet McGraw and Rupert Friend star in a scene from the movie "Separation." The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. (CNS photo/Blair Todd, Open Road Films) By Kurt Jensen • Catholic News Service • Posted May 7, 2021 NEW YORK (CNS) — While certainly deserving of a place in the annals of schlock horror, “Sepa...

‘Mortal Kombat’ & ‘Demon Slayer’ Continue Gritty B.O. Fight For No. 1; But Both Pics Hit The Mat Hard In Weekend 2 Deadline 3 hrs ago Demon Slayer, which had very notable openings and further revived the domestic B.O. last weekend, dropped precipitously this weekend, respectively at -73% and $6.4M for No. 1, with a running total of $32.2M, and New Line’s Mortal Kombat is at No. 2 with a weekend 2 of $6.2M and a $34M 10-day total. No one was expecting this type of tumble. What does this say as the US has close to 70% of 40,7K screens reopened, and there’s talk of Los Angele...

Written by Nick Amadeus and Josh Braun Directed by William Brent Bell Separation is confounding. A puzzling pastiche of better horror movies, Separation has the unenviable task of being the first wide-release genre feature available in most markets after theaters shuttered this time last year. A few features found their way to the multiplex in the intermittent period, but those– such as last October’s criminally underrated Come Play– were isolated to those sequestered parts of the country where theaters were (negligibly) open for business. Separation, then, is the year’s true inaug...