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exceptional leaders, men like ronald reagan who wouldn t let america be pushed around. in the midst of simmering tensions with the soviet union, reagan went to the communist strong hold, berlin. and reminded them who ran the world. general secretary gorbachev, if you seek peace, if you seek prosperity for the soviet union and eastern europe, if you seek liberalization, come here to this gate. mr. gorbachev, open this gate. [cheers and applause] mr. gorbachev, tear down this wall. [cheers and applause] history has always shown us strong leaders calm us down in times of fear like george w. bush after 9/11. i can hear you. [laughter] [applause] i can hear you. the rest of the world hears you. and the people. [cheers] and the people who knocked these buildings down will hear all of us soon. [cheers and applause] jesse: joe biden is not that guy. we knew joe was a bad student but i guess he flunked history, too. biden is dragging us kicking and screaming back to ....
Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and putting together a list that ive done, work thats been done by historians of science, film studies people, Communication Studies scholars. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. We are going to return to this question, what are the relationships between art, science, entertainment and clul occur. In cinema how did they reinforce one another in these particular contexts. Were going to see the movement of people, the same people across institutions, right, across media forums and across science. So it is all going to be kind of blending together. Also, Science Education. Obviously in Sc ....
Cold war era Science Education films, in particular ones that were made for tv and the classroom. Now, weve been talking about classroom films before. Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and putting together a list that ive done, work thats been done by historians of science, film studies people, Communication Studies scholars. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. We are going to return to this question, what are the relationships between art, science, entertainment and clul occur. In cinema how did they reinforce one another in these particular contexts. Were going to see the movement of people, the same people across institutions, right, across media forums and across scien ....
Created by frank capra. This is about 45 minutes. All right. So good afternoon and welcome. Today were going to talk about cold war era Science Education films, in particular ones that were made for tv and the classroom. Now, weve been talking about classroom films before. Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and putting together a list that ive done, work thats been done by historians of science, film studies people, Communication Studies scholars. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. We are going to return to this question, what are the relationships between art, science, entertainment and clul occur. In cinema how did they reinforce one another in these particular contexts. ....
All right. So good afternoon and welcome. Today were going to talk about cold war era Science Education films, in particular ones that were made for tv and the classroom. Now, weve been talking about classroom films before. Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and pulling together work that ive done and other historians of science, film studies people, Communication Studies scholars. Even folklorists. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. So in particular were going to return to this question, right, what are the relationships between art, science, entertainment and culture. In cinema how did they reinforce one another in these particular contexts. Were going to see the movemen ....