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The director’s shorts tie in with a new documentary about the former cinema, which Parker says still has an influence on his practice nearly 40 years later
In the 1980s and early 90s, the King’s Cross picture house attracted all manner of freaks, geeks, itinerants and outcasts to its cult movie all-nighters. The makers of a new documentary discuss its rise, fall, and quite heroic legacy
Prize winning films about migration, autism, Colombians, farming and children born of war
Filmmaker Osbert Parker has spent 30 years ripping, cutting and dismantling in pursuit of his mixed media work. He tells CR why experimentation is key