Held in conjunction with the exhibition Tropical: Stories from Southeast Asia and Latin America, “Worlds Apart, Strangers Together” was a two-day symposium at National Gallery Singapore.
This two-part column focuses less on a specific show or event, but reflects on this idea of the avant-garde to observe its dramatically shifting application to art movements and practices. Part one focused on the nineteenth and twentieth century references. This second part continues last month’s history of the term avant-garde, to consider its application to media art.
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