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Members get free vouchers for Ballet s To The Pointe, while supplies last. By Urban Milwaukee - Mar 1st, 2021 10:28 am //end headline wrapper ?> Alana Griffith. Annia Hidalgo. Itzel Hernandez. Lizzie Tripp. Photo Nathaniel Davauer Viewers of the Milwaukee Ballet’s To The Pointe will enjoy scenes from world-famous classical ballets and a classical world premiere from Michael Pink. Pas de Quatre, the Chopin Etudes by Resident Choreographer Timothy O’Donnell, the Symphony. And you can see it all for free. We’re giving away free vouchers to members to watch To the Pointe On Demand, while supplies last. So how do you get this deal? While logged-in, Urban Milwaukee members can claim the offer to get the access code and then follow the instructions on the Milwaukee Ballet website to complete the purchase. ....
Milwaukee Ballet Stays on âPointeâ for Live/Virtual Dance Concert Photo Credit: Nathaniel Davauer It was wrenching to hear live applause as I watched Milwaukee Balletâs new concert, âTo the Pointe,â on my home TV screen. âWeâre in the health business,â artistic director Michael Pink told me recently and the city health inspectors agreed. Fifty people were permitted at each performance last week in the companyâs intimate Third Ward studio. I promised myself Iâd be there next time. On Demand viewing has this consolation, though: I can enjoy the show repeatedly for three days. The dancers look better than ever, which is saying a lot. Not only have they mastered the demands of this concertâs classical style, they seem to have grown as artists. Maybe thatâs because theyâve grappled with so much to make this. Or maybe itâs just that Iâve missed them so much. ....
Victoria Birkinshaw/Stuff Gettin the tutus ready for take off: Jess Taunt, left, Paul Thomson, Jemima Scott, Patricia Barker, Paul Mathews and Mayu Tanigaito. As the Royal New Zealand Ballet gears up for a nationwide tour, Sarah Catherall goes behind the scenes in Wellington and talks to some of the main players – both onstage and off. The stage manager Paul Thomson has worked at the Royal New Zealand Ballet for 2½ years. I’m like the old fuddy duddy here, especially among the younger dancers. I’m the one who is the “no’’ guy – no water on stage, no food on stage, take your earphones out. I didn’t know a huge lot about ballet before I started here but I really enjoy watching it, especially the modern stuff. I have to know every production intimately. I’m thinking, “Who is coming on when, who is exiting?” – you have to know every piece as much as the dancers do but in a totally different way. We don’t need to know the dance moves, bu ....