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The Americans comprises eighty-three photographs, plucked out from over a thousand shots taken by one Swiss-born artist. Robert Frank’s pictures of America were once branded “anti-photography” for their technical freedom and emotional valence; with his 35mm Leica in hand, he cut beneath the veneer of the 1950s American Dream to reveal the heart of a nation as something pulsating, vulnerable, and exposed.
world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri cartier-bresson who was a great reader, and on top of what martine and teacher said i think literature is really important. >> architecture and photography when...
he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri cartier-bresson who was a great reader, and on top of what martine and teacher said i think literature...
he also liked people. he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri cartier-bresson who was a great reader, and on top of what martine and teacher s...
he also liked people. he had an insatiable curiosity. he wanted to discover the world and share the world with other people and remember he did live the golden years of photo journalism after the war where no one had been able to travel. he traveled the world for us. >> he had a marvelous sense, intuitive, sense, because if you had to sit and think about it, it was already gone. the marvelous sense of how the picture was going to transform what he was looking at. >> i think it was very important to henri cartier-bresson who was a great reader, and on top of what martine and teacher s...