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Arare black fofolks. lisa respepers france:e: when yoyou have blalack successs, itit resonateses so much m me inin the blackck communityy and in thehe brown comommunit. and d then you h have a a mainstreamam artist come a and try to o replicate e. it's likike, well what canan we have?? dodometi pong:g: everyone e o creaeates art ststands on sosoms shououlder, whetether ththey consumeme that art.. you mighght not be d directly influencnced by thisis perso, but you're influenced by someone who is influenced by someone that you're inspired by. sean h hall: (singnging) pleae tellll us all ththe be...

It could h have been a nail i in the coffffin for mumultiple smamall artiss who fefeel like ththeir influee and imimpact has i influenced de swswaths of pepeople and m mega, anand they donon't get to o e anany of the b benefit of f t. and ththe folks ththat usualllly experienence that arare black fofolks. lisa respepers france:e: when yoyou have blalack successs, itit resonateses so much m me inin the blackck communityy and in thehe brown comommunit. and d then you h have a a mainstreamam artist come a and try to o replicate e. it's likike, well what canan we have?? dodometi pong:g: everyone e...

Will own the master and any slave recordings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn'n't flow. ththe attent...

Which have been for as long as recording has existed, has really been riding on the back of black talent. some recording contracts still say,y, the recorord compy willll own the m master andd any slslave recordrdings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable f...

Playing] interviewewer 1: playeyers go' play, anand haters g gon' hat, yoyou know? songwrititers nathanan butler d seanan hall sueded taylor sws, claiaiming that t taylor swift's sosong, "shakeke it o" borroweded from a sosong they we fofor 3lw calllled "playass gon' plalay". lisa r respers frarance: in 20, hallll and butleler filed a a lt agaiainst tayloror swift becee ththey felt lilike those l ls that "playayers going g to playay, haters g going to hah" had cocome from ththeir 200000 hit song g with 3lw.. sidndney madden:n: to someone who o says they y hear absololy no simililarity betwtwee...