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Peter Weir’s cult classic suggests that something is lost in a world without hierarchy.
I like to think that I first saw Peter Weir’s Master and Commander: The Far Side of the World under near ideal circumstances—ideal to both appreciate the
Master and Commander: Far Side of the World is slavish to reality in trivialities, and pure fantasy in much greater, more complicated matters.
Peter Weir’s adventure didn’t find enough of an audience in 2003 but its old-fashioned sturdiness has given it a long life