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THE ANTI-AESTHETIC AT FORTY

Hal Foster on The Anti-Aesthetic ....

United Kingdom , New York , United States , New York University , Cornell University , City Of , Town Hall , Museum Of Modern Art , Kosofsky Sedgwick , Michael Graves , Frankh Collins , Rayyane Tabet , Larry Speck , Saidiya Hartman , Jenny Holzer , Dara Birnbaum , Hannah Arendt , Eve Kosofsky Sedgwick , Gregory Ulmer , Donaldf Bouchard , Daniel Bell , William Burroughs , Barbara Kruger , Fredric Jameson , Benjamin Buchloh , Theodor Adorno ,

THE ANTI-AESTHETIC AT FORTY

Hal Foster on The Anti-Aesthetic ....

New York , United States , New York University , Town Hall , City Of , United Kingdom , Cornell University , Museum Of Modern Art , Denise Scott Brown , Thomas Pynchon , Brian Wallis , William Burroughs , Theodorw Adorno , Benjamin Buchloh , Barbara Kruger , Theodor Adorno , Cindy Sherman , Christina Sharpe , William Gaddis , Saidiya Hartman , John Barth , Algirdas Julien Greimas , Robert Coover , Kathy Acker , Dara Birnbaum , Eve Kosofsky Sedgwick ,

Hal Foster on The Anti-Aesthetic - Artforum International

THE NOTION OF POSTMODERNISM was once a great stimulant to art and thought; today, it feels like another anti-aphrodisiac of the just past. In some ways, postmodernism seems more historical than modernism, reanimated as modernism is by questions of colonialism, diaspora, and globality. On the other hand, this untimeliness makes the present a good moment to look back at postmodernism, if only to measure our distance from it.The Anti-Aesthetic: Essays on Postmodern Culture, which I edited, was published forty years ago; it was quickly followed by Art After Modernism: Rethinking Representation ( ....

United Kingdom , United States , Town Hall , New York , Museum Of Modern Art , Cornell University , City Of , New York University , Eugenio Donato , Saidiya Hartman , Paul Ricoeur , Theodorw Adorno , Daniel Bell , Geeta Kapur , Craig Owens , Denise Scott Brown , Barbara Kruger , Theodor Adorno , Douglas Crimp , Leo Bersani , Walter Benjamin , Guggenheim Bilbao , Kerry James Marshall , Jenny Holzer , Benjamin Buchloh , Donald Barthelme ,

LOVE'S WORK - Artforum International

SIXTY YEARS AGO, in Artforum’s very first issue, our founding editor, Philip Leider, threw down the gauntlet for art’s autonomy. “Art and artists will flourish when an admiring public buys paintings because they love them; if the myth that buying art is a good investment (in the Wall Street sense) is perpetuated, the result can only be disaster for both.” I took his words from a blistering review of two 1961 publications on art and money as an early expression of the magazine’s ethos, which made speculation a constitutive exclusion. The keyword for me here was not myth or disaster but love.I ....

New York , United States , Graham Bader , Helen Molesworth , Performativity Durham , Huey Copeland , Janet Dees , Elizabeth Schambelan , Kosofsky Sedgwick , Hal Foster , Barbara Kruger , Philip Leider , Johanna Fateman , Midge Wattles , Gillian Rose , David Joselit , Christa Noel Robbins , Guillaume Dustan , Harry Burke , Eva Hesse , Melanie Klein , Arthur Jafa , Ariel Ione Williams , Olamiju Fajemisin , Michael Fried , Eve Kosofsky Sedgwick ,

What is queer theory without action?

In the original 1976 Homo Soit, an article called Gay Studies written by Dennis Altman speculated that “In a University as academically conservative as the… ....

South Australia , New South Wales , Jack Halberstam , Davidm Halperin , Dennis Altman , Michael Hardt , Michel Foucault , Judith Butler , Kosofsky Sedgwick , Eve Kosofsky Sedgwick , Annamarie Jagose , Community Projects Units , University Of Sydney , A University , Gay Studies , Flinders Universities , Cultural Studies , Lauren Berlant , How To Be Gay , Paranoid Reading , Reparative Reading ,