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As a teenager I would often mistake Alexander Calder’s work for that of Joan Miró and sometimes even Picasso. Bold, playful and abstract, the sculpture of these three art giants appeared interchangeable. Visits to Fundació Joan Miró in Barcelona and Musée Picasso in Paris only seemed to confirm Calder’s European influences, even though the darker elements at play in their work seemed absent from his own. Being introduced to the wire lion tamers and acrobats in his “Cirque Calder” several years ago in the lobby of New York City’s Whitney Museum, at that time in Marcel Breuer’s ...

‘Comrades there’s no debate! Soviet Citizens will get in great shape. What is ours is in our power. Where’s our power? In this cocoa powder.’ Such were the lyrical themes stretching the talents of the poet Vladimir Mayakovsky by the mid 1920s. He had gone enthusiastically into business as an advertising agent, producing posters with the artist Aleksandr Rodchenko. Their company, Reklam-Konstruktor (advertising constructor), would last only two years, and Lenin’s New Economic Policy, the mixed economy that allowed such enterprises, wouldn’t last much longer after Stalin came to pow...

Letter writers question U.S. Rep. Rob Wittman's op-ed where he defends signing onto the Texas v. Pennsylvania, et al., case that was designed to overturn the 2020 presidential election results.