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This week, associate editor Zack Hatfield revisits “James Bishop: Remembering to See,” Carter Ratcliff’s 1988 feature on the unclassifiable painter, who died in February at age ninety-three. Art historian Molly Warnock reflects on Bishop’s legacy in the current issue. John Ashbery once described the art of James Bishop as “half architecture, half air.” In other words, a ruin. In his 1988 essay on the elusive painter, who was born in America but resided in France, the poet-critic Carter Ratcliff revels in the “ruined image” of Bishop’s abstraction, locating in his idiosyncrat...

Robert Barry , April 24th, 2021 09:21 Pace London surveys forty years of work by the American minimalist painter, Robert Mangold Installation view, Robert Mangold: A Survey 1981–2008, April 12 – May 22, 2021, Pace Gallery, London © ARS, NY, & DACS, London, 2021. Photo: Damian Griffiths. Courtesy Pace Gallery Robert Mangold and Sol LeWitt used to work at the Museum of Modern Art in New York. Not as curators or anything. They were security guards. If you went to see the Frank Lloyd Wright drawings there in the spring of ‘62, it would have been Mangold and LeWitt making sure you didn’t ...

Dia 2.0: Facing the Future Jessica Morgan moves the art foundation beyond the sometimes swaggering heart of its Minimalist collection. Dan Flavin, “the diagonal of May 25, 1963 (to Constantin Brancusi),” a fluorescent light work at the newly renovated Dia Chelsea.Credit...Stephen Flavin/Artists Rights Society (ARS), New York; Elizabeth Felicella April 23, 2021, 5:00 a.m. ET In 1988, the Dia Art Foundation hosted one of the most momentous readings in postwar art history — the reclusive poet James Schuyler appeared before an audience for the first time in memory, occasioning a line down M...

Pace Gallery expands presence in Seoul with larger, two-story gallery space opening in May Sam Gilliam, Spring Is, 2021 © Sam Gilliam / 2021 Artists Rights Society (ARS), New York. SEOUL .- Marc Glimcher, President and CEO of Pace Gallery, today announced the gallery’s plans to open an expanded gallery space in Seoul, South Korea, occupying two floors of Le Beige Building in the Hannam-dong neighborhood. The new gallery will open on May 27, 2021 with an exhibition of new work by Sam Gilliam, marking the American octogenarian’s debut exhibition in Asia. Pace opened in Seoul in 2017 as one o...

Cézanne Reconsidered Fig. 1. Nature morte de pêches et poires (Still life with Peaches and Pears) by Paul Cezanne (1839–1906), c. 1885–1887. Oil on canvas, 14 ⅝ by 17 ¾ inches. Private collection; photograph courtesy of Bridgeman Images and the Museum of Fine Arts, Boston. “Others abide our question,” Matthew Arnold said of Shakespeare, “thou art free!” 1 Arnold meant that the Bard, in his sublime universality, soared above those petty reckonings that critics apply to all other cultural figures. Which makes one wonder whether Paul Cézanne abides our question. One suspects ...