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A centenary exhibition of Saul Leiter’s photos reveals his painterly way with Kodachrome. And a new book shows that Garry Winogrand worked best in two tones.

Robert Ryman: 1961–1964 is a valentine. It follows a tightly focused 2022 hang of eight paintings, Ryman’s last, uptown (this latter exhibition was the artist’s first show at Zwirner, which announced representation of his estate in 2021), and coincides with a presentation of drawings in London. Curated by Dieter Schwarz, the Chelsea installation, as framed in the press materials, focuses on “a critical moment in Ryman’s development,” which “elucidate[s] many of the fundamental ideas that he would continue to explore throughout his prolific sixty-year career.&...

THE LARGE OIL PAINTINGS that Martha Diamond showed in New York two seasons ago took some extra scrutinizing before their visibility, and even their sensational impacts, could register. Disoriented viewers…

This week we introduce a new format for Galleries with one critic at the helm, searching out new artists and some of the most notable exhibitions. Here, Roberta Smith covers the New York debut of Sagarika Sundaram along with shows by Robert Ryman, Blair Saxon-Hill and Clintel Steed.

a href= http://www.stedelijk.nl target= _blank The Stedelijk /a looks back at 2023—the first lockdown-free year since the pandemic—as a