Turangalîla-Symphonie, LSO, Rattle, Barbican review – a farewell night to remember
Sir Simon signs off at the Barbican with magnificent Messiaen. Classical music review by Boyd Tonkin
Source: theartsdesk.com
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LSO, Pappano, Barbican review - exhilarating, hilarious mock-heroics
Impossible to imagine a more vivid, poetic account of a tricky Strauss symphonic poem. Classical music review by David Nice
Source: theartsdesk.com
'Cannone' Guarneri Copy Signed by 27 Famous Violinists to Raise Funds for Music Education in Brazil
Philippe Quint signed his name on the "heart" of the violin; Augustin Hadelich signed it below where the tailpiece will go. Near that is the signature of Joshua Bell, by the right center bout. Ray Chen signed it near the right shoulder, underneath the fingerboard, "to guide all the E-string passages, in the highest moments." In all, an impressive group of 27 violin soloists from all over the world have signed their names to the inside of a modern copy of Niccolò Paganini's 1743 "Il Cannone" Guarneri del Gesú violin. Starting this week, the violin is being auct...
Source: violinist.com
A fascinating trip to Hungary with Kirill Karabits and the LSO
This pairing of Miklós Rózsa and Béla Bartók at the Barbican made for a constantly surprising evening
Source: telegraph.co.uk
Zimerman, LSO, Rattle, LSO St Luke's review - rainbow colours, continuity and imperial soaring
Zimerman, LSO, Rattle, LSO St Luke's review - rainbow colours, continuity and imperial soaring | reviews, news & interviews Zimerman, LSO, Rattle, LSO St Luke's review - rainbow colours, continuity and imperial soaring Zimerman, LSO, Rattle, LSO St Luke's review - rainbow colours, continuity and imperial soaring The richest of palettes applied to Beethoven, while Stravinsky sings and dances by David NiceFriday, 18 December 2020 Krystian Zimerman recording Beethoven at LSO St Luke'sAll images by Mark Allan for DG except where otherwise stated Adaptability backed up by funding has ...
Source: theartsdesk.com