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The Suspect (1944) deservedly attains a prominent place among the cinematic classics. It not only portrays the maniacal streak of the human mind, but also interrogates the fear which accompanies our deep-rooted desires.
The late-night/early-morning spot for Cubs fans asks you who will be the first Cub to get traded.
9 February 2021 When is a noir film not a noir film? When are we allowed to say “Yes, this is noir” or “This is not noir”? In my opinion, Dear Reader, this question is as pointless as a debate between Jansenists and Calvinists on the theological implications of free will. Yet, the point comes up again and again among film buffs, as though there’s a prize. In a sense, there is. As long as “film noir” is now a marketable genre, it pays when a studio or company can claim it, as opposed to just calling the thing a thriller or crime film or gloomy drama. What matters is that the film...