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Movies Are Back: About Endlessness Armond White About Endlessness ( Om det oandliga), finally opens in the U.S. after a long COVID-lockdown delay, and it gives every reason — touches every emotion we expect — when going to the movies. A Hollywood distributor would have insisted on selling a sexier title, but Andersson, the Swedish master of single-take theatricals, doesn’t deserve vulgarization. In 75 concise minutes (as long as any movie needs to be), About Endlessness is completely provocative and satisfying. Each sketch dramatizes a random incident in a Scandinavian ...

Reviews From The First Livable Planet Film Festival by Peter Wong on May 4, 2021 About Endlessness opens with the visual of a couple (Jan-Eje Ferling and Tatiana Delaunay) floating through gray, cloudy skies. Magnolia Pictures Milan Radisics’ short cinema essay “The Art Of Pollution” takes viewers on an aerial tour of lands colored in shades of blue-green, red, and brown (among other colors) that will prove striking to the eye.  Howeve...

A shake-up at the California National Guard results in the firing of one general and the suspension of another.

MUST-WATCH: The return of Star Wars and the Handmaid's Tale in the 680 NEWS Top 10! by James Mackin Last Updated May 2, 2021 at 9:57 pm EDT Clone Force 99 prepares for a mission in Star Wars: The Bad Batch. Courtesy of Disney+ One iconic show of the 2010s returns for a bombastic season, and a new chapter from a long time ago in a galaxy far, far away are entering the 680 NEWS MUST-WATCH Top 10 this week! But will one of them take the top spot, or will a new action film starring 2020’s Sexiest Man Alive clinch that top spot? Keep reading to find out!

Print Fragments of existence build the absurdist tableaux of esteemed Swedish director Roy Andersson. Each stand-alone vignette in his features over the last two decades evolved from impressions that kindled an emotion within him. Their origin varies. Some reconceptualize scenarios he’s witnessed, while others take cues from fine art. Via their incisive slant, Andersson winks at the tragedy of mankind, the cruel and preposterous causes for our anguish, the fleeting moments of joy, the evil we do unto others, the relationships we procure, and our inescapable mortality. Inside his impeccably ...