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The Associated Press This image released by Amazon Studios shows Clare Dunne, from left, Molly McCann and Conleth Hill in a scene from "Herself." (Pat Redmond/Amazon Studios via AP) Phyllida Lloyd’s “Herself,” an Irish drama of spousal abuse set against Dublin’s housing crisis, has some narrative weak spots but its foundation of resilience and heart is strong. Previous forays into film by Lloyd, a veteran theater director, have been more elaborate, starrier affairs (“Mamma Mia!” “The Iron Lady”). But “Herself” is a smaller, neo-realistic and often stirring story about San...

NEW YORK (CNS) -- A miracle story about St. Brigid proves pivotal to the emotionally complex Irish drama 'Herself' (Amazon).

Review: 'Herself' is a mostly pleasing film that takes too many mood turns Ed Symkus There's a special sort of small British film that doesn't have a precise label, but often has adjectives such as feelgood or laidback attached to it. Top of my head: "Waking Ned Devine," "Calendar Girls," "The Full Monty," "Happy-Go-Lucky." Frequently they're much more about characters and words and acting than about the stories, which are often comparatively slight. That's not a complaint. I'm a fan of the above-mentioned titles and many others. They move along in a genial manner, sometimes take swerves into...

Phyllida Lloyd’s “Herself,” an Irish drama of spousal abuse set against Dublin’s housing crisis, has some narrative weak spots but its foundation of resilience and heart is strong. Previous forays into film by Lloyd, a veteran theater director, have been more elaborate, starrier affairs (“Mamma Mia!

Also: A Discovery Of Witches' season two follows Matthew (Matthew Goode) and Diana (Teresa Palmer) as their romance faces new threats in Elizabethan London.