Is the Royal Academy's 'Entangled Pasts' exhibition radical? Yes—for the Royal Academy
The London institution may have woken up to its responsibility of presenting its role in Britain’s imperial past. But please don't go back to sleep...
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The London institution may have woken up to its responsibility of presenting its role in Britain’s imperial past. But please don't go back to sleep...
In my years of doing interviews and roundtables and Q&A’s for the various films we’ve made, there is one question that recurs. No matter the length of the piece or the tone of the room, eventually, inevitably, I am asked about the white gaze. It wasn’t until a very particular interview regarding The Underground Railroad that the blindspot inherent in that questioning became clear to me: never, in all my years of working or questioning, had I been set upon about the Black gaze; or the gaze distilled. I don’t remember when we began making the piece you see here. Which is not and should ...
Posted on Tuesday, May 11th, 2021 by Hoai-Tran Bui The “Male Gaze” and the “Female Gaze” have been discussed to death in film circles, but what about the “Black Gaze”? That’s something that even Barry Jenkins, Oscar-winning director of Moonlight and the upcoming Amazon series The Underground Railroad, has rarely been asked about, despite the prevalence of Black talent and Black perspectives in his works. And sensing the dearth in that subject, he decided to explore it himself. In a 40-minute video featuring The Underground Railroad background actors, Jenkins examines wh...