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When the Black Film Bulletin emerged out of the BFI’s former African Caribbean Unit in spring 1993, its debut issues chronicled both the prolific new wave of Black cinema across the diaspora in the early 1990s and the timely openings of Europe’s first Black-owned film exhibition venues. Thirty years on, one of the UK’s leading Black cinema exhibition platforms, We Are Parable, marks its own ten-year anniversary. Cofounder Anthony Andrews reflects on its rise, the collectives that came before it and the evolving Black British screen scene.

When the Black Film Bulletin emerged out of the BFI’s former African Caribbean Unit in spring 1993, its debut issues chronicled both the prolific new wave of Black cinema across the diaspora in the early 1990s and the timely openings of Europe’s first Black-owned film exhibition venues. Thirty years on, one of the UK’s leading Black cinema exhibition platforms, We Are Parable, marks its own ten-year anniversary. Cofounder Anthony Andrews reflects on its rise, the collectives that came before it and the evolving Black British screen scene.

Tributes pour in for the trailblazer of stage and screen whose career spanned six decades and also set up the Talawa Theatre Company.

ROME (AP) — Drums pounded through the frescoed halls of the Apostolic Palace on...

Genevieve Nnaji is a Nigerian actress, producer and director.She won the Africa Movie Academy Award for Best Actress in a Leading Role in 2005, making her the f