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Bartók's Violin Second Concerto guide and best recordings - Vimarsana News

Bartók's Violin Second Concerto guide and best recordings

One of the Hungarian’s great masterpieces, this richly evocative work has inspired many top violinists; Erik Levi reveals the finest recordings of Bartók’s Violin Concerto No.2

BBCNOW/Coorey review – mills to bells and rain: Colin Riley conjures the Welsh landscape - Vimarsana News

BBCNOW/Coorey review – mills to bells and rain: Colin Riley conjures the Welsh landscape

Steve Reich’s tribute to New York was neatly paired with a Gershwin, with the world premiere of Colin Riley’s powerful seven-movement ode to Wales the concert’s centrepiece

Youth Orchestra of San Antonio to bring their music to NYC, Boston and Philadelphia - Vimarsana News

Youth Orchestra of San Antonio to bring their music to NYC, Boston and Philadelphia

Youth Orchestras of San Antonio return to their semi-annual performance tour tradition. They're playing in NYC, Boston and Philadelphia.

Source: tpr.org
Milwaukee Symphony Orchestra features Gershwin, Ives, more 1930s music - Vimarsana News

Milwaukee Symphony Orchestra features Gershwin, Ives, more 1930s music

Milwaukee Symphony wrapped up its festival of 1930s music with a program featuring five American composers.

Live-streamed concert review: Mairéad Hickey (violin) Stephen Waarts (violin) Santiago Cañón Valencia (cello) Ivan Karizna (cello) Frankfurt Radio Symphony Orchestra/Christoph Eschenbach - Vimarsana News

Live-streamed concert review: Mairéad Hickey (violin) Stephen Waarts (violin) Santiago Cañón Valencia (cello) Ivan Karizna (cello) Frankfurt Radio Symphony Orchestra/Christoph Eschenbach

Mairéad Hickey. Photo: Santiago Cañón Valencia This showcase for current stars of the Kronberg Academy was recorded live and unedited – there is a distracting trail for another TV programme – and sometimes rougher than ready. Both Mairéad Hickey and Santiago Cañón Valencia seemed to struggle against Christoph Eschenbach’s inclination towards expansive tempos, which produced a slightly lumpen accompaniment to the first movements of the Bruch G minor and Haydn C major concertos respectively and allowed their slow movements to drift. There was certainly no excess sugar or fat in Hick...