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Photo by blocks on Unsplash By Shealeigh Voitl / Project Censored When Condé Nast bought the online music publication Pitchfork in 2015, Condé’s Chief Digital Officer Fred Santarpia told the New York Times that the acquisition brought “a very passionate audience of Millennial males into our roster.” Three years before, in 2012, roughly 88 percent of respondents to Pitchfork’s People’s List, a record of reader-ranked albums from the last fifteen years, identified as male. Pitchfork clarified

Photo by Alexey Ruban on Unsplash By Shealeigh Voitl / Project Censored Much has been said about how broken the music streaming structure is for artists. Music insiders have long criticized services for their lack of transparency and disregard for songwriters and performers. Just last week, Music Business Worldwide reported that Spotify plans to slash its already meager royalty rates for its lowest-streaming artists. In 2015, singer-songwriter Joanna Newsom, whose music has never appeared on the