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HOW SWISS IS IT? Cyril Schäublin, who joins the Zürcher brothers as one of the leading auteurs of the first major wave of Helvetian filmmaking since the heyday of Alain Tanner and Daniel Schmid half a century ago, appears determined in his first two features to demolish the myth of Swiss probity, especially in the echt Schweizer realms of finance and industry. Schäublin made his brilliant debut with the ironically titled Those Who Are Fine (2017), about a young worker at a Zurich call center hawking internet services to vulnerable seniors—the provider’s portentous name is Everywhere

But he gave me something more enduring.

In today’s letters to the editor: Northern Ireland and Canada; the Toronto mayoral race; education by lottery; wildlife and natural resources; growing greens; vegan food at the game; artificial intelligence and the law

Whether it’s a high-kicking romp about marital martial arts, or a Force-fuelled frolic around a galaxy far, far away, our critics have you covered for the next seven days

Donovan Wylie and Peter Mann’s chronicle of Long Kesh’s demolition is now a film to mark the Belfast Agreement’s 25th anniversary