Clayton Sandell - Scripps News
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'I wanted to explore the birth of an artist, and counterpoint it with the big salesman doing the snow job,' the director says
Twenty years after the release of the world’s first digitally shot blockbuster, George Lucas’s Attack of the Clones, Sam Wigley talks to the early adopters who delighted in experimenting with a medium that would reinvent the industry.
The fine art of naturalising sound on 'Black Panther: Wakanda Forever'. Feature by Shelley Roden
The projection screen reflects light onto the Foley stage. I can just make out the edges of the built-in cement and metal surfaces around the floor’s perimeter and the large dirt pit centerstage. Bamboo poles, a hockey stick, and a shovel poke out from storage bins to my right. The corner of a car hood winks from underneath a furniture blanket. These tools wait their turn to become something other than what they were originally designed for.