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Don Byas: Classic Don Byas Sessions 1944-1946

Byas thought himself a swing player, but the sophisticated rhythmic and harmonic invention in his playing pointed towards bebop

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JJ 02/64: In My Opinion - Roland Kirk

Sixty years ago Kirk gave articulate commentary on jazz, including the heretical opinion that Ronnie Scott was better than Tubby Hayes

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My friend, Steve Voce - Jazz Journal

Steve Voce could be provocative but for Digby Fairweather he will always be 'the big-faced, ever-smiling man who was a regular friend'

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JJ 11/83: Ed Palermo - Ed Palermo - Jazz Journal

Forty years ago Simon Adams reckoned that Ed Palermo, acclaimed by Gil Evans for innovation, was in fact largely ploughing an old furrow

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Steve Voce, 1933-2023 - Jazz Journal

The long-serving and popular Jazz Journal columnist and reviewer Steve Voce died in Liverpool this week, aged 89

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JJ 08/63: Charles Mingus - a critical view of his music

Sixty years ago, A. J. Bishop regarded the metropolitan embrace of folk music manifest in Mingus's work as reactionary and pretentious

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Steve Voce, Author at Jazz Journal

Steve Voce, Author at Jazz Journal
jazzjournal.co.uk - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from jazzjournal.co.uk Daily Mail and Mail on Sunday newspapers.

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Art Blakey's Jazz Messengers: With Thelonious Monk

Different in approach as they might seem, Blakey and Monk show remarkable rapport on their 1957 album, here augmented with bonus tracks

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Something to celebrate in 2021: Jazz centennials from when the art form was young

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Candido Camero performs for the Chicago Jazz Festival at the Pritzker Pavilion on Sept. 4, 2016. (Nuccio DiNuzzo/Chicago Tribune/TNS)
Something to celebrate in 2021: Jazz centennials from when the art form was young
Howard Reich, Chicago Tribune
Yes, there’s something to celebrate in 2021: this year’s jazz centennials.
Several jazz luminaries were born 100 years ago, when the art form was still in its youth. How soon we’ll be able to mark the occasion in concert remains to be seen.
But until then, let’s raise a glass to these giants:
Astor Piazzolla, March 11.
Listeners can debate where (or if) Piazzolla fits in the jazz pantheon, in that he’s universally revered for his explorations and innovations in tango. But as far as I’m concerned, his genius in developing a profoundly folkloric music in the most complex, sophisticated ways places him in a league with jazz visionaries Jelly Roll Morton, Louis Armstrong and Duke Ellington, among others. That the Argentinian tango transformed the way the world heard rhythm – just as swing did in the United States – underscores the point. Like Ellington, Piazzolla penned short works that are ripe for jazz improvisation, and large-scale compositions that stand alongside the world’s great classical concert works, most notably Piazzolla’s “The Four Seasons” (inspired by Vivaldi’s composition) and the opera “Maria de Buenos Aires.” Piazzolla also proved that the bandoneon, which he played sublimely, could be as expressive as any more traditional concert instrument. (Died July 4, 1992, age 71.)

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