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Elisabeth Subrin is a filmmaker dedicated to telling stories about misunderstood women. She found the perfect subject for her latest film, Maria Schneider, 1983. The project won best short documentary at February’s César Awards, France’s most prestigious film award ceremony, and has been screened at film festivals around the world, including at The 75th Cannes International
The occasional Squid Games aside, it appears increasingly that the content type most likely to animate water cooler conversation on a mass scale are
This week’s financial news is perhaps a good argument against a hybrid digital-and-tangential asset model, but here at Film Independent we’re not worried
From Succession to Mr In Between, the best in television this year offered ingenuity, humour, defiance and hope.
From Bo Burnham to “We Are Lady Parts,” the best in television this year offered ingenuity, humor, defiance and hope.