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The work: Butcher Boys (1985/1986) What is it exactly? The sculpture is made up of three oil-painted plaster figures whose bodies mostly resemble the human male body, but whose heads are part animal. The three are seated next to each other on a bench, each seemingly staring out in a different direction. Their scarred bodies look human, but their mutated heads seem to be sprouting horns. Their eyes are black, and on two of the figures there are holes where their ears should be. The third head has horns sprouting out where the ears should be. On all three, their noses are deformed and they don’t seem to have mouths. It is as though their mouths have been smashed in or sliced off along with a part of their nose. ....
1. “ ” at Pace Gallery, New York If you, like me, have ever wanted to be able to articulate responses to Tara Donovan’s something-extraordinary-from-nothing-special installations that are fitter for intelligent company than, “WTF, how did she do this?!” then Wednesday afternoon presents a golden opportunity. To provide the high-level context Donovan’s current solo show at Pace’s New York flagship (through March 6) deserves, the gallery will host an online panel discussion between Museum of Contemporary Art Denver curator Nora Abrams, University of Chicago professor and Smart Museum of Art adjunct curator Christine Mehring, and UC Santa Barbara art and architectural history professor Jenni Sorkin. Mark Beasley, curatorial director of Pace Live, will handle moderating duties. Join me on the path to enlightenment. ....